In her poem “Upstream,” Mary Oliver writes, “attention is the beginning of devotion.” Art gives us the space for attention, which looks quite a lot like prayer. Art cultivates the ability to imagine a future and so transcend the present moment. I saw these young artists take a new kind of ownership of their neighborhoods and histories and develop new ideas for their futures.Īrt is about making space – both physical and mental – for listening, searching, and expressing. I saw this happen last summer in neighborhoods of Brooklyn, the Bronx, and Queens, where I worked with Groundswell, an organization that employs high-school and college-age youth to create murals in their communities that respond to social justice issues they face.
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Art-making is metaphorically linked to other life-building processes – and helps people tap into the transformative resources already present within themselves.
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Participants must learn to voice their own opinions but also be willing to make sacrifices for the unity of the whole. The effort of people making a mural together involves creative problem-solving and communication. Seeking to bring the Kingdom of God to earth includes restoring the beauty that is present in creation – and adding to it.įacilitating public murals in the U.S., Africa, and Haiti, I have come to see the process of collaboration itself as art. For me, hope is functionally inseparable from beauty, for beauty is a reminder that there is, in the words of Abraham Heschel, “meaning beyond absurdity.”īeauty helps me believe that divine good does prevail. Art and beauty address the human need for hope. Yet my conviction is that art goes beyond luxury. The urgent needs of the world force artists of faith to ask what truly matters in each note, paint stroke, or stanza.
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In less extreme ways, all churches today face the dilemma of how to allocateresources: “Should we tune the organ, commission a sculpture for the altar, or keep upthe foreign missions fund?”įor Christians trying to follow the example of Christ and the early church by caring for the poor and living simply, a focus on art can seem self-serving. I have stood in opulently glorious churches, both enraptured by their beauty yet sick with the awareness that histories of hypocrisy and exploitation lurk beneath the glittering surfaces. In a world of immense suffering, is art a luxury, limited to those with the time and resources to spare? Beauty doesn’t feed people, doesn’t stop wars. Located at Sterling Divinity Quadrangle, the ISM operates in partnership with YDS, the Yale School of Music, and other academic units at Yale. Most of the YDS students featured here are dually enrolled in the Yale Institute of Sacred Music, an interdisciplinary graduate center that educates leaders to engage the sacred through music, worship, and the arts. Their replies suggest approaches that will shape future relationships between religion and art. Rapunzel: “And you were mine.Can beauty be a way to God? How can art deepen the church’s impact? Is art a neglected topic in today’s congregational world? Is beauty in the life of faith a luxury … or a necessity? Such questions animate this Spring issue of Reflections, and we we invited answers from several Yale Divinity School students who have a commitment to the arts. “I’ll spare you the sob story of poor orphan Eugene Fitzherbert, it’s a little bit of a … It’s a little bit of a downer.” “Oh mama, I have got to get me one of these!”
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“I don’t know why, but overall it just smells like the color brown.” Rapunzel: “So, I have made the decision to trust you.” “Alright, listen, I didn’t want to have to do this, but you leave me no choice. “The only thing I want to do with your hair is to get out of it! … Literally!” “I know not who you are, or how I came to find you, but may I just say … hi. Each year on her birthday the king and queen release thousands of lanterns into the sky, in hope that one day their lost princess would return.”
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“But the walls of that tower could not hide everything. “And for that one moment, everything was perfect … And then that moment ended.” This is really bad … They just can’t get my nose right!” “No, no, no, no, no, no, no, no, this is bad.